Skip to content Skip to sidebar Skip to footer
Home / Arte Factum Magazine of Contemporary Art in Europe

Arte Factum Magazine of Contemporary Art in Europe

Post a Comment

Adam Lowe, founder of Factum Arte, with Manuela Carmena, mayor of Madrid, in the Factum Arte premises in Madrid.

Factum Arte is an art conservation company based in Madrid, Milan, and London.[i] Its commercial action involves assisting contemporary artists to create technically difficult and innovative works of fine art.[2] Information technology also seeks to promote the utilise of not-contact 3D digitisation technologies to record museum collections and celebrated monuments, peculiarly in areas where these are at take a chance.[iii] Since 2009, Factum Arte'southward not-profit cultural heritage projects have been carried out through the Factum Foundation for Digital Technology in Conservation.

In 2014, Factum Arte completed the installation of an exact facsimile of the tomb of Tutankhamun in the Valley of the Kings in Luxor, near Howard Carter's firm. The facsimile, and its proximity to the original tomb, is intended to provoke a fence near preservation;[4] [five] as Factum Arte'south Director, Adam Lowe, was said: "The tomb of Tutankhamun was built to last for eternity, simply it wasn't built to be visited".[6]

Factum Arte has worked with institutions such as the British Museum in London, the Musée du Louvre in Paris, the Pergamon Museum in Berlin, the Museo del Prado in Madrid, and the Supreme Council of Antiquities in Egypt.

History [edit]

Factum Arte was founded in 2001 by the artists Adam Lowe, Manuel Franquelo, with Fernando Garcia-Guereta to facilitate the recording of the Tomb of Seti I and works with a number of artists including Marc Quinn and Anish Kapoor.[7] The Seti projection involved the blueprint and construction of 3D laser scanners, software, and photographic equipment to record the walls of the tomb at high-resolution.[8]

Notable projects [edit]

Tomb of Seti I [edit]

Factum Arte was founded in 2001 in order to facilitate the evolution of technology needed specifically for the recording of the Tomb of Seti I.[ commendation needed ]

Tomb of Thutmose Iii [edit]

Factum Arte was commissioned by United Exhibits Grouping to make a ane:one facsimile of the Tomb of Thutmose Three in 2002. The facsimile was toured at exhibitions in various museums in the United States between November 2002 and December 2007.[ix] In 2005 a second facsimile of the tomb was exhibited in Madrid, Edinburgh, and Basel titled Immortal Pharaoh: The Tomb of Thutmose Iii (Edinburgh) and The Tomb of Thutmose III: The Nighttime Hours of the Sun (Madrid and Basel).[10]

Tomb of Tutankhamun [edit]

In 2012, the company presented its facsimile of the Tomb of Tutankhamun in Cairo.[11] [12] [thirteen]

In 2014 the company installed the facsimile in the Valley of the Kings, beside Howard Carter's firm.[14] [15] [16]

The Wedding Feast at Cana [edit]

In November 2007, Factum Arte's facsimile of The Nuptials Feast at Cana (1563), by Paolo Veronese, was presented by the Cini Foundation in the original location of the painting, the Andrea Palladio's refectory for the Monastery of San Giorgio Maggiore, Venice.[17] The original painting, deputed in 1562, was plundered by the French Revolutionary Army of Napoleon in 1797 and sent to the Louvre Museum, where it hangs reverse the Mona Lisa.[xviii] The facsimile was commissioned in 2006 by the Fondazione Giorgio Cini and, post-obit an agreement with the Louvre, Factum Arte's technicians were allowed to scan the painting at night. Corriere della Sera called the facsimile a "turning point in art".[17]

Piranesi [edit]

In 2010 the Cini Foundation commissioned the visualisation and manufacture of objects designed by the 18th century artist and antiquarian Giambattista Piranesi. The projection was conceived by Adam Lowe, Michele De Lucchi, and John Wilton-Ely and was exhibited in the Cini Foundation on the island of San Giorgio Maggiore for the Venice Biennale. The objects were later toured for exhibitions in Madrid, Barcelona, and San Diego[19] [20]

In March–May 2014, Factum Arte exhibited the series at the Sir John Soane'south Museum in London. Diverse Manieri: Piranesi, Fantasy and Excess aimed to explore the relationship betwixt Sir John Soane and Piranesi. The objects were shown in the context of prints, drawings and books in Soane's library.[21] [22]

The industry of the objects involved a variety of methods including stereolithography, milling, fused degradation modelling, electro forming and electro plating, in addition to a host of moulding and casting technologies[23]

Polittico Griffoni [edit]

The 16 panels of the Polittico Griffoni once formed the altarpiece of the Basilica of San Petronio in Bologna. It was considered i of the greatest altarpieces of the 15th Century Bolognese Schoolhouse. The panels were originally painted by Francesco del Cossa and Ercole De Roberti. The panels, removed in 1725, are at present scattered in diverse museums in Italian republic, the U.k., the United States, France, the Netherlands, and the Vatican Urban center.[24]

Using the Lucida 3D scanner, designed by Manuel Franquelo, Factum Arte and the Factum Foundation for Digital Technology in Conservation collaborated with San Petronio Basilica to tape, reproduce and reunite the panels as a facsimile in their original location.[24] [25]

Technology [edit]

Factum Arte has developed a number technologies in lodge to better facilitate the recording and production of objects.

The Lucida 3D Laser Scanner is capable of scanning surface relief, without contact, and with a depth of field of 2.5 cm at resolution of 100 microns.[26] The scanner is designed to be portable, and easy to gear up and operate; with the aim to brand the recording of objects and sites more viable and attainable for both individuals and institutions. The company's cement printer, designed by engineer Dwight Perry, aims to print a 3 dimensional concrete structure directly from CAD files. A image was displayed at the GENESIS exhibition, virtually genetics, at the Centraal Museum in Utrecht in 2007. In 2009 the artist Anish Kapoor utilized a second prototype of the printer equally an investigation into new ways of developing grade. Kapoor used the results of his experimentation as a slice, entitled "Greyman Cries, Shaman Dies, Billowing Smoke, Beauty Evoked", in his solo exhibition at the Purple Academy in London. Kapoor's vision and procedure was detailed in a volume Unconformity and Entropy, published by Turner Books in 2010 - ISBN 978-8475068916.[27] The cement printer is currently undergoing development at Factum Arte's workshop in Madrid.

Criticism [edit]

In 2013, when referring to the facsimile of the Tomb of Tutankhamun and the facsimile of the caves at Lascaux, historian Tom Holland voiced criticism of the thought of creating "fakes" as a means to protect the originals:

In our gild, at that place is a huge premium set on authenticity. Clearly, were at that place not a difference between the copy and the original, information technology wouldn't matter – you could brand a replica and trash the original. Tutankhamun and Lascaux were created past people who believed in the earth of the spirits, the dead, and the supernatural. Y'all don't have to believe in a god or gods to feel a identify is consecrated and has a item quality that cannot be reproduced.[28]

References [edit]

  1. ^ Simon Schaffer, "What does Digitality practise to the Arts?", in "the Miracle of Cana: The Originality of the Reproduction", Cini Foundation and Cierre Edizioni, 2011
  2. ^ "How Michelangelo and Sebastiano'due south Roman Chapel Was Recreated in London". Hyperallergic.
  3. ^ "Los copiadores legales del arte antiguo". El Mundo.
  4. ^ Aspden, Peter (17 Apr 2014). "Fit for a king: Tutankhamun'due south replica burial chamber". The Fiscal Times. Retrieved 19 July 2016.
  5. ^ "Egypt: Preserving King Tut's Tomb Campbell datalogger controls monitoring of conditions at Tutankhamen site". Campbell Scientific United Kingdom. Retrieved 19 July 2016.
  6. ^ Daveys, Janey (nineteen October 2014). "Creating an exact replica of Pharaoh Tutankhamun's Tomb with 3D printing". Inside3DP.com. Retrieved nineteen July 2016.
  7. ^ Factum-arte.com/art
  8. ^ Hallet, Florence (19 Dec 2014). "Nosotros Fabricated It: Factum Arte Recreating a facsimile of Tutankhamun's tomb and a painting by Veronese is all part of revolutionising our experience of art". The Arts Desk. Retrieved 19 July 2016.
  9. ^ "Facsimile of the Tomb of Thutmose Three". Factum Arte. Retrieved 19 July 2016.
  10. ^ Barbara Leicht, "Reise Durch den Verborgenen Raum", https://www.bibelwerk.de/sixcms/media.php/169/WUB_406_Auf%20den%20Spuren%20Jesu%201_Rep.pdf, bibelwerk.de, April 2006
  11. ^ Eu-Egypt Taskforce – Co-chairs Conclusions, http://www.consilium.europa.european union/uedocs/cms_data/docs/pressdata/EN/foraff/133511.pdf, 2012
  12. ^ "Catherine Ashton Unveils Replica Tomb of Tutankhamun at Offset of Eu-Egypt Taskforce", http://www.consilium.europa.eu/uedocs/cms_data/docs/pressdata/EN/foraff/133448.pdf, European union, 13 November 2012
  13. ^ "Toot toot, King Tut Applied science in the service of history". The Economist. The Economist Paper Express. 10 Nov 2012. Retrieved 19 July 2016.
  14. ^ Administrator. "Facsimile of Tutankhamun's Tomb | Tarek Waly Center". world wide web.walycenter.org . Retrieved 19 March 2017.
  15. ^ "Official Opening of the Facsimile of King Tutankhamun'due south Tomb". Past Preservers/Aegaeus. Retrieved 19 July 2016.
  16. ^ Burrell, Ian (30 April 2014). "Egypt Unveils Exact Replica of Tutankhamun'south Tomb Made with a 3D Printer". Independent. Retrieved 19 July 2016.
  17. ^ a b Jobey, Liz (26 July 2013). "Conservation: Factum Arte Remaking History". The Financial Times. Retrieved 19 July 2016.
  18. ^ "The Nuptials Feast at Cana". The Louvre. 1563. Retrieved 19 July 2016.
  19. ^ Mariano Navarro, "Piranesi Contemporáneo", world wide web.elcultural.es, four May 2012
  20. ^ James Chute, "Seeing History Through Piranesi'south Eyes", San Diego Marriage-Tribune, 26 April 2013
  21. ^ Jones, Jonathan (6 March 2014). "Piranesi, Fantasy and Backlog Review: Where Imagination and Reality Collide". Guardian News and Media Limited. Retrieved 19 July 2016.
  22. ^ Sir John Soane Museum, "Archived re-create" (PDF). Archived from the original (PDF) on xv September 2015. Retrieved 2015-05-26 . {{cite web}}: CS1 maint: archived copy as title (link) "Diverse Manieri Press Release", December 2013
  23. ^ Ings, Simon (17 March 2014). "How 3D Printers Forge New Fine art From Old Etchings". Reed Business Information. Retrieved 19 July 2016.
  24. ^ a b Fabio Isman, "Il Polittico Griffoni da Bologna al Mundo", http://www.factum-arte.com/lib/kcfinder/upload/files/articles/BellItalia_marzo_2014.pdf, original commodity in Bell' Italia, March 2014
  25. ^ "Polittico Griffoni Digital Technology Applied to the Re-unification of a Scattered Altarpiece". Factum Arte. Retrieved 19 July 2016.
  26. ^ Josephine Livingstone, "Mapping the Newest Former Map of the World", theawl.com, The AWL, 17 June 2013
  27. ^ Kapoor, Anish (31 March 2010). Unconformity and Entropy. Turner Books. ASIN 847506891X.
  28. ^ Alison Gee, "Which would you rather visit – a imitation tomb or a real one?", https://www.bbc.co.great britain/news/magazine-24478909, BBC World Service

External links [edit]

  • Official website
  • The Factory of fakes - The New Yorker, Nov 28, 2016

gadsdenselike.blogspot.com

Source: https://en.wikipedia.org/wiki/Factum_Arte

Post a Comment for "Arte Factum Magazine of Contemporary Art in Europe"